News
Gary Snyder: O Mother Gaia
Amiri Baraka: Sing! Fight! Sing! Fight! From LeRoi to Amiri
Michael McClure: Abstract Alchemist of Flesh
Jerome Rothenberg: Vot Em I Doink Here?
Robert Creeley: Black Mountain Blues
Together with my Channel 4 documentaries on Allen Ginsberg, No More to Say & Nothing to Weep For, & Frank O’Hara, How Terrible Orange Is/& Life, they probably represent the largest body of work on film relating to the remarkable generation of American poets who emerged during the 1950s & who were brought to international recognition through Donald Allen’s ground-breaking anthology The New American Poetry 1945-60. These films, along with my documentary on the avant-garde filmmaker Stan Brakhage, have been almost entirely self-funded. I’m in the process of entering them into a number of festivals, in the hope of finding a distributor – is there anyone out there….? – & of raising funds to cover the cost of library materials so that they can be archived and made widely available.
I’m pleased to report that my film on the Chilean poet Raúl Zurita had a well-received screening at the Chilean Embassy in London, on the fiftieth anniversary of the 1973 coup.
I’m also pleased to say that my film on Michael Horovitz, also feature-length, has finally been completed. Shot over a period of years, it’s an affectionate portrait of the man: poet, publisher, musician, impresario, countercultural icon & much-loved eccentric, described by Allen Ginsberg as ‘A Cockney, Albionic, Jazz Generation, New Jerusalem, Sensitive Bard’. Cockney….? Michael….? It was through Horovitz’s publication New Departures that as a teenager I first became aware of figures like John Cage & Robert Creeley, something for which I shall always be grateful. It would be good if the film, finished at last, were to get a television screening…